![]() ![]() The band also couldn’t see each other and couldn’t tell who or what the camera was looking at - which ultimately made the performance feel very raw and unhindered. ![]() Operating a camera in this situation was like a real manifestation of virtual reality. The set in which they shot the Performance was totally dark, aside from a red laser as the backdrop - we could not see anything except while looking through the cameras viewfinder. In addition, some of the lens flares they were able to make with the Kinect are unlike anything ever seen before - creating super dense moire patterns and 3D-like caustic inversions of lens geometry. Captured with a full spectrum camera it became photographic, where fields of bokeh and shimmering discs reveal multiple layers of shape and form. The team started experimenting with infrared lighting and discovered that the IR emitter in the Microsoft Kinect projected a starfield-like dot pattern not unlike what a 3D render of point cloud data looks like. ![]()
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